How to be Alone

By Jonathan Franzen

Passionate, independent-minded nonfiction from the international bestselling author of THE CORRECTIONS.

Jonathan Franzen’s ‘Freedom’ was the literary sensation of 2010, whilst ‘The Corrections’ was the best-loved and most written-about novel the previous decade. ‘How to be Alone’, is a collection of the personal essays and painstaking, often humorous reportage that have earned Franzen a wide and loyal readership, including what has come to be known as ‘The Harper’s Essay’, Franzen’s controversial 1996 look at the fate of the novel. From the sex-advice industry to the way a supermax prison works, from his father’s struggle with Alzheimer’s disease to a rueful account of Franzen’s brief tenure as an Oprah Winfrey author, each piece wrestles with Franzen’s familiar themes: the erosion of civic life and private dignity, and the hidden persistence of loneliness, in postmodern imperial America.

These collected essays record what Franzen calls ‘a movement away from an angry and frightened isolation toward an acceptance – even a celebration – of being a reader and a writer.’ They voice a wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of the sharpest, toughest-minded, and most entertaining social critics at work today.

Format: Hardback
Release Date: 07 Oct 2002
Pages: 288
ISBN: 978-0-00-714725-0
Jonathan Franzen is the author of THE TWENTY- SEVENTH, STRONG MOTION and THE CORRECTIONS. His fiction and nonfiction appear frequently in the NEW YORKER and HARPER’S, and he was named one of the best American novelists under forty by GRANTA and the NEW YORKER. He lives in New York City.

Praise for THE CORRECTIONS -

• 'Compelling. A pleasure from beginning to end. Franzen, in one leap, has put himself into the league of Updike & Roth. That's why there is so much excitement about it.'DAVID SEXTON, EVENING STANDARD -

• 'A novel of outstanding sympathy, wit, moral intelligence and pathos, a family saga told with stylistic brio and psychological and political insight. No British novelist is currently writing at this pitch.'JEREMY TREGLOWEN, FINANCIAL TIMES -