4thWrite Prize

BAME Prize 2018: City of Culture by Kit Fan

May was the cruellest month for Mai. She disliked her name as much as she disliked the sliminess of eels, the graininess of chickpeas, her upper lip hair, her periods, Molly showing off the Victoria’s Secret scalloped plunge bralette in the changing room, her profile pic, not having a dad, her mum’s job, her best friend Sophia moving to Cambridge for a better school, the rain, her curly hair, maths, PE, being an only child, and most recently the word ‘referendum’, or as her friends said, the R word. Read More

BAME Prize 2018 Stories

We are thrilled to announce that the winner of the Guardian 4th Estate BAME Short Story Prize 2018 is Yiming Ma for his story, Swimmer of Yangtze.  Read More

BAME Prize 2018: Bus Stop by Varaidzo

When we first moved to the cul-de-sac I thought that meant we'd made it. Over the years we had levelled up through all types of living situation (age one: bedsit, age five: basement studio, age nine: rental flat) and beaten the final boss, a private landlord who refused to admit the damp on the ceiling was a result of dicey bathroom tiling and not us ‘pouring oil down the sink, clogging my drains’. Eventually, Mum told Sam either we left the flat or she'd leave the marriage, so he found a job with a company car in a coastal village fifteen miles west of the city, and that's when we arrived. Age twelve: Cul de sac. Read More

BAME Prize 2018: Swimmer of Yangtze by Yiming Ma

  The boy had been born with four healthy limbs but by the end of his first year, he had already lost both his arms. Broad, toned shoulders gave him the triangular physique that so many young men craved, as if his upper body were perfectly fitted for a Zhongshan tunic suit – although if he were actually to have worn one, his father would have needed to trim both sleeves off so as to draw less attention to his son’s missing limbs beneath blue and black cloth. Read More

BAME Prize 2018: SPAM by Savannah Burney

It was 13:29 when Nelson dropped down into his armchair, a mound of mangled wood and cheap leather, less arranged and more dumped in the centre of his back room. It put him two metres in front of an old Philips CRT 29PT9421 and next to an inoffensive table from a chain that erroneously claimed to sell oak furniture. In anyone else’s home, the set-up might have been quirky – the mossy wallpapered walls, the bareness of it all; it had Vogue potential, the type of thing you had to ‘get’ – yet, with all things considered, including Nelson Flood himself, it was just a bit seedy. Read More