The Yips
The hilarious Man Booker-longlisted novel from the author of ‘Darkmans’, Nicola Barker.
2006 is a foreign country; they do things differently there. Tiger Woods’ reputation is entirely untarnished and the English Defence League does not exist yet. Stormclouds of a different kind are gathering above the bar of Luton’s less than exclusive Thistle Hotel. Among those caught up in the unfolding drama are a man who’s had cancer seven times, a woman priest with an unruly fringe, the troubled family of a notorious local fascist, an interfering barmaid with three E’s at A-level but a PhD in bullshit, a free-thinking Muslim sex therapist and his considerably more pious wife. But at the heart of every intrigue and the bottom of every mystery is the repugnantly charismatic Stuart Ransom – a golfer in free-fall.
Nicola Barker’s Man Booker-longlisted novel ‘The Yips’ at once a historical novel of the pre-Twitter moment, the filthiest state-of-the-nation novel since Martin Amis’s ‘Money’ and the most flamboyant piece of comic fiction ever to be set in Luton.
Praise for ‘The Yips’: -
”'Barker is ostensibly a comic writer, and is indeed snort-inducingly funny at times … What’s more - just about uniquely in this country - she is thinking intelligently and critically about how to make [a realist] tradition work in the present day. But it’s not for her virtue that she deserves to be read; it’s for pleasure.” - Keith Miller, Daily Telegraph
‘There are moments when Stuart Ransom has the vulgar bravura of John Self in Martin Amis’s ‘Money’ … but Barker is unique and it’s for the pleasures of her style that one reads her.’ Kate Kellaway, Observer -
”'Dementedly imaginative … stomach-turningly hilarious … What she has written is a state of the nation novel of the sort Dickens and Hogarth might have jointly conjured up had they ever visited Luton.” - Michael Prodger, Financial Times
”'Barker is at once sui generis and the Google-age inheritor of a tradition. The first third or so of the book gives us a Chaucerian sketch show sequence of comic set-pieces … then it takes a left turn into Shakespeare territory” - Sam Leith, Guardian
‘She is scatological, mischievous, subversive and original. Barker’s transfiguration of the commonplace is radically unlike Muriel Spark’s, but no less dazzling’. The Times, Ruth Scurr -
”'Barker captures - and lovingly distorts - both the rhythms and banality of language. She is, as it were, Harold Pinter on crack” - Justin Cartwright, The Spectator
”'A specialist in likeable British grotesques … wackier siblings to those in Hilary Mantel’s Beyond Black. The Yips cannot be faulted for its free-flowing imagination” - Tom Cox, Independent.
”'English fiction’s great eccentric offers up a typically riotous saga” - Guardian
”'…more consistently surprising than War and Peace, at least.” - Sunday Telegraph
”'There is nothing conventional about THE YIPS … its originality, its charm or its peculiar beauty … yet [it is] is full of straightforward reading pleasures” - Sunday Times